规则
流动的生命符号 赵一囡抽象艺术
Exhibition: Developing Symbols Of Life Abstract Exhibition Of Zhao Yinan
酒会：2008-4-12下午三点
Opening reception: Saturday 3:00pm 12th April 2008
展期：2008-4-12~2008-5-11
Duration:2008.4.12th -5.11th (Close On Monday)
地点：上海市国顺东路800号东楼109室，五千年艺术空间
Venue: 109,No 800, E. GUOSHUN RD. SHANGHAI. CHINA， 5000 Years Fine Art Gallery
五千年艺术空间5000 Years Fine Art Gallery
台湾，台湾高雄市苓雅区青年一路295号
Add:295, CHING NIEN 1ST RD. 802 ,KAOHSUING.TAIWAN
T+ 886-7-334-6848 F+ 886-7-333-1413 p/c: 80252
上海，上海市杨浦区国顺东路800号东楼1F.109室（双阳北路口）
Add: 109,No 800, E. GUOSHUN RD. SHANGHAI. CHINA
T+ 86-21-5506-2468 F+ 86-21-5506-2466 p/c:200433
E-mail:5000art@gmail.com
赵一囡个人简历：
1981内蒙古出生，天津美术学院油画系第三工作室毕业，现就读天津美术学院油画硕士研究生；
2006.11《小趣系列1，3，4，6》，2006莱恩阿特当代艺术大展(比利时) ；
2006.9北京798艺术区独角视觉画廊举办“本真状态绘画展”其中《韵》之2被今日美术馆收藏；
2005.9入选第二届全国美术院校油画专业毕业生优秀作品展—“新视觉：自我成长的处境与选择”， 其中《藤》之二被深圳何香凝美术馆收藏
2005 《交响曲》入选全国《视觉惊艳—2005年上海青年美术大展》，《藤》系列，“天津美术学院2005年毕业生毕业创作作品展”二等奖
2004 《小调》马利艺术奖学金优秀奖(上海)；
2003 《青苹果》全国“第四届荣花边杯美术新人作品展”铜奖，并被组委会收藏；
Zhao Yinan
1981,Born in Inner Mongolia
Graduated from the third workshop, oil pictures department, Tianjin Academy of Fine Art in 2005,
and now studying further as a postgraduate in Tianjin Academy of Fine Art.
2006.11 attend to belgian lineart modern art big show with the series of little interests 1,3,4,6
2006.9 holding a show which is named "true nature condition painting show "at beijing 798 Art Section Unicorn Vision gallary on september 2006,and "rhyme-2" collect by today art gallary.
2005.9 joined in “FRESH EYES:PAINTING GRADUATES ---Selected Student Works From 10 Art Academies and schools in China” in September, the second picture of the Vine series was collected by He Xiangling Art Museum in Shenzhen.
2005 Symphony was attended the Vision Express 2005 Shanghai Youth Biennial.
The series of the picture Vine was gotten the second prize of the creation exhibition of graduates in Tianjin Academy of Fine Art.
2004 Chanson was given the excellent award from Shanghai Marie Art Scholarship.
2003 Green Apple was given the third prize in the fourth national new artists’ work exhibition of Rong Huabian Cup, and was colleted by the sponsors of this exhibition.
作品陈述及创作感言：
作品在色彩上采用中国传统民间及欧洲当代绘画中的色彩元素，热烈，夺目且富有张力，造型上汲取了中国现代书法狂草中的诸多因素，又结合了中国象形文字带来的启示，那是一种原始图腾的美，每个字都有一种形态上的韵律，企图以一种奇特的造型营造出不为肉眼所知但又存在于现世中最为神秘的生命体符号，充满莫名幻想的幽默，这些符号性的生命体在飞速的流变中不停地涌动，画面节奏如交响乐般时而舒缓，时而局促，我一直致力于探索人类活动给予我的生命启示，试图将其完满地呈现于画布之上。
作为一个20世纪80年代初出生的人，二十多年的人生记忆里没有太多坎坷，也不曾遭遇任何社会不良变革。能够感觉到的只是安定与祥和。我在生活中从不刻意寻求刺激与冲突，只是遵从自然法则给我安排的行径成长。许是我的个人经历和性格决定了现在创作的题材与形式。在当代，艺术潮流多元化，抽象绘画的绘画原则较写实绘画更为隐晦，它没有明确的集体化矛头指向，也没有“能力”直白的阐述某种社会现实意义。它不是中山装，不是旗袍，更不是什么燕尾服，它只是普通构造的漂亮衣服，但当它于特定情感个体时，就会呈现出特别的光彩。虽然这种绘画形式并非艺术主流，但这个社会需要它来装点，我们的精神意志需要有这样一种形式载体，我是现实矛盾的一个逃避者，我需要这样一种模糊的、概略的绘画形式来承载我的情感意志，同时喜欢并实践这类风格的创作者大有人在，我与他们为伍。特别是七八十年代出生的创作者，抽象绘画风格能够更为自由地传达他们内心的情感。
创作之初，总觉得用某一具体单一的形抒情达意显得生硬，自然给与我对尘世产生的感悟就像音乐作品一样远远要纷杂和缠绕的多。现世中一切物像当随时代做着飞速的流变，流变带给我们的只是些或深或浅的印痕，越走越快的科技，越来越多的物欲，越来越复杂的人性。似乎一切都在“流动”中充满了“缠绕性”。然而如何在流变中重构人在最本真状态下产生的意识，对声音，对物像，对气息做出的敏感反应。我默默的体味这份微妙的“冲动”。
赵一囡
Narration of Works and Impression of Creation
The works, in the aspect of color, adopt the passionate and intense color elements in traditional Chinese folk art and contemporary European painting; in the aspect of modeling, absorb various elements of the highly cursive script in Chinese calligraphy, and also combine the enlightenment of Chinese pictograph, a kind of beauty of primitive totems with formal rhythm in every single character trying to create the most mysterious symbols of living creature in the weirdest modeling which couldn’t be perceived by the eyes but exist in the present world, full of imaginative humor. During the rapidly flowing process, these symbolic living creatures incessantly surge, and the painting’s tempo is like that of a symphony, sometimes slow and relaxed, sometimes short and hurried. I have always been engaged in exploring the enlightenment of life caused by human activities, attempting to completely present it on canvas.
As a person born at the beginning of the 1980s, I haven’t experienced too many frustrations in the memory of more than two decades, nor encountered any social instability. All I could feel is just peace and harmony. I never intentionally pursue excitement or conflict in life, only following the path arranged by the natural rule to grow up. Perhaps my individual experiences and personality decide my current themes and forms of creation. Today, the art tendencies are multiple. The principle of abstract painting is more obscure than that of realistic painting, neither definitely pointing to anything collectively, nor being able to directly indicate any certain socially realistic significance. It is not Sun Yat-sen's uniform or chi-pao, not to mention swallow-tailed coat. It’s just a beautiful dress of ordinary fabric, but shows the special glow when presenting the individual of specific emotion. Though this painting form is not the mainstream art, this society needs it to decorate, and our spirits need such a kind of formal carrier. I am a fugitive of the conflicts in reality, so that I need this obscure and brief painting form to undertake my emotion. Meanwhile, a great many creators loving and practicing this kind of style keep company with me. Especially for the creators born in the 19870s and the 1980s, the abstract painting style could more freely express their inner feelings.
At the beginning of my creation, I often felt the expressions through certain specific images seemed stiff and awkward. Like the music works, my feelings for the natural world are far more complicated and sentimental. All the images in today’s world quickly develop and change with the time elapsing, and the development and changes only leave us some deep or shallow traces. The increasingly more advanced technologies, the more human desires and the more complicated and indifferent humanities, all these things seem to be entangled during the flow with each other. However, how to reconstruct the consciousness in the most sincere status in the flowing process? And how to sensitively react to sounds, phenomena and smells? I silently taste this subtle “impulse”.
Zhao Yinan
